Showing posts with label Disney. Show all posts
Showing posts with label Disney. Show all posts

Tuesday, April 1, 2014

Claim Without Merit for Disney's #Frozen Trailer #Copyright #Lawsuit





Newsflash from your Hollywood Attorney:





Kelly Wilson stood up in a California federal court to challenge the way that The Walt Disney Company teased its Oscar-winning animated film, Frozen. According to the complaint, the teaser trailer for Frozen, released in June 2013, is substantially similar to a short 2D computer-animated film entitled The Snowman, about an "average Joe" snowman who must battle a gang of hungry rabbits to save his carrot nose.

That's not exactly the plot line of Disney's billion-dollar film (and the top animated feature of all time), but the lawsuit attempts to score points by turning to film commentators who described the Frozen teaser as misleading. For example, Slate's Dan Kois noted in his film review that his 6-year-old daughter thought the "movie was about a snowman and a reindeer fighting for a carrrooootttttt!" and Forbes is cited as running an article about how Frozen's opening weekend success was attributable to "the false undersell."

In other words, Wilson wants a judge to compare The Snowman with Frozen's trailer, not Frozen itself.

To that end, the plaintiff submits frame-by-frame comparisons:




Here's Trailer... http://www.youtube.com/watch?v=S1x76DoACB8

And the plaintiff also goes through alleged similarities in plot ("a snowman competing with animals on slippery ice to recover his carrot nose"), characters ("Both snowmen are portrayed as awkward, insecure and clumsy"), themes ("competition, sacrifice, friendship and gratitude"), sequence of events, setting, mood, pace. and dialogue ("hello").

Read full complaint.... http://www.scribd.com/doc/215508551/Frozen-Trailer

"The claim is utterly without merit and we will defend against it vigorously," says a Disney spokesperson.

At the end of last year, Disney brought its own lawsuit against a film company that changed the title of a film and packaging to trade off of Frozen. That lawsuit was then settled in Disney's favor.

Source.....HR

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Sunday, December 29, 2013

#Disney Trademark #Lawsuit Over “Frozen Land” by "Phase 4 Films"

Newsflash from your Hollywood Attorney:





Phase 4 Films, the esteemed Canadian film distributor of animated classics such as Kiara the Brave and Life’s a Jungle: Africa’s Most Wanted, has found itself in legal hot water over its latest masterpiece, Frozen Land. On December 20, Disney filed a lawsuit against Phase 4 alleging trademark infringement and false advertising. Read the full complaint here.

Frozen Land is, in fact, the French-Canadian animated film The Legend of Sarila, that was released earlier in 2013. After being picked up for distribution by Phase 4, its name, logo, and branding was suddenly switched to Frozen Land, allegedly to capitalize on Disney’s latest hit Frozen (and perhaps trick parents into buying the DVD).

Considering that the actual content of the film had nothing to do with Frozen, Phase 4 could have saved itself a lot of headache had it not borrowed wholesale the Frozen name and visual design of the Disney film logo.

Disney has asked the courts for an injunction to stop Phase 4 from using its nearly indentical Frozen Land logo. Further, they want Phase 4 to destroy all the Frozen Land DVDs and pay compensatory and actual damages, and attorney’s fees. Source: http://www.cartoonbrew.com/bad-ideas/disney-files-trademark-lawsuit-over-frozen-land-93389.html



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Tuesday, September 24, 2013

Disney Wins Over Stan Lee Media in Marvel Copyright Lawsuit

Newsflash from your Hollywood Attorney:



Turns out the Walt Disney Company really does own the rights to the Marvel characters created by Stan Lee, at least according to a federal judge today. U.S. District Judge William J. Martinez Thursday granted with prejudice Disney’s motion to dismiss Stan Lee Media’s multibillion-dollar lawsuit superhero copyright suit. In his 11-page order (read it here) Martinez did little to hide his annoyance with the litigious SLMI. “Plaintiff has tried time and again to claim ownership of those copyrights; the litigation history arising out of the 1998 Agreement stretches over more than a decade and at least six courts,” he wrote of the company’s many legal moves.

This latest attempt started in mid-October 2012 when SLMI filed a copyright infringement complaint seeking the profits from the $5.5 billion it said that Disney made from Marvel superhero movies and merchandise based on characters created by Lee. In its suit, SLMI claimed that Lee, who no longer has anything to do with the company with his name, signed over the rights to comic book characters like Iron Man, the Hulk, the Fantastic Four, the X-Men, Spider-Man and many more that he created or would create to its corporate predecessor in October 1998 for shares in the company. In November 1998, Lee signed an agreement with Marvel handing over the rights to the same characters. In late November 2012, Disney, who purchased Marvel for $4 billion in 2009, filed its motion to dismiss, calling the lawsuit is “completely frivolous.” The November 30 motion to dismiss, like the initial suit by SLMI, was filed in Colorado.

Judge Martinez obviously agreed with Disney and he wants to make sure that SLMI think twice before trying to use the courts in such a manner again. “Taking its cue from the Southern District of New York and the Central District of California, this Court holds that Plaintiff is precluded from re-litigating the issue of its ownership of copyrights based on the 1998 Agreement, which issue was decided against it,” he wrote today. Disney was represented by James Quinn, R. Bruce Rich and Randi W. Singer of New York’s Weil Gotshal & Manges and Frederick J. Baumann and Holly Ludwig of Denver firm Rothgerber Johnson & Lyons. Stan Lee Media was represented by John McDermott of the Denver office of Brownstein Hyatt Farber Schreck and Robert Chapman and Jon Jamison Hill out of the LA’s Eisner Kahan Gorry Chapman Ross & Jaffe.

Source..... http://www.deadline.com

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Wednesday, September 18, 2013

Disney's Unauthorized Disneyland Horror Movie Will There Be a Legal Battle?

Newsflash from your Hollywood Attorney:




Sundance breakout "Escape From Tomorrow," which depicts Disney princesses as prostitutes and was filmed without permission inside Disney's parks, fails to provoke a legal response from a studio unwilling to dole out free press.

The movie's backstory has all the ingredients of a classic Hollywood lawsuit: Escape From Tomorrow, a microbudgeted horror pic set for release Oct. 11, was filmed without permission inside Disneyland and Disney World and incorporates several of The Walt Disney Co.'s iconic (and copyrighted) characters doing things like attempting to crush a child.

What's more, Producers Distribution Agency, an arm of indie player John Sloss' Cinetic Media (along with Abramorama and FilmBuff), is brazenly provoking Disney's legal pit bulls with a poster that spells out the title in the company's familiar bubbly handwriting, above which looms an image of a Mickey Mouse-like blood-soaked hand.

Instant litigation, right? Not this time. Unlike so many knee-jerk studio reactions, sources tell THR that Disney will give this movie a free pass.

It's not that the company doesn't have a case. When the David Lynch-ian black-and-white film premiered at Sundance in January, many assumed it would be blocked by Disney lawyers faster than the Queen of Hearts could shout, "Off with their heads!" Director Randy Moore's dark vision is brimming with racy perversions of studio property, including Disney princesses depicted as high-class prostitutes and a parkwide outbreak of a deadly flu virus.

Loyola Law School professor Jay Dougherty says shooting the film inside a Disney park isn't necessarily actionable (beyond a possible trespassing claim on violation of park rules), and "fair use" exceptions to copyright law could be a defense for using the characters in a larger narrative. But "Disney could have a stronger case regarding trademark law and trademark dilution," he adds.

The trailer for Tomorrow slyly notes that the film has not been approved by Disney, but the poster bears no disclaimer distancing the studio from the movie -- and its Disney-esque font might confuse moviegoers into thinking it is studio-approved.

Regardless, Disney -- set to release its own Disneyland-set movie, Saving Mr. Banks, in December -- has decided the less attention paid, the better. A spokesperson did not respond to a request for comment, but a studio source says the strategy is to avoid giving Tomorrow attention that could lead to bigger box office. After all, The Weinstein Co. this year parlayed Warner Bros.' objections to using the title The Butler, which Warners owns, into a mountain of media that put its film on the public's radar.

Disney's silence, rather than legal might, ultimately could hurt Tomorrow, according to studio marketing executives surveyed by THR. Because so much of the film's fascination hinges on its Disney-defying reputation, a shrug of the studio's shoulders could deflate that buzz like a three-day-old Mylar balloon.

Source.... http://www.hollywoodreporter.com

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Wednesday, July 17, 2013

Marvel No Longer Pays Royalties to Inventor of a Spider-Man Toy

Newsflash from your Hollywood Attorney:




Marvel Enterprises will no longer have to pay royalties to Stephen Kimble, the inventor of a Spider-Man toy called the Web Blaster that allows users to mimic the character's web-shooting abilities with a foam string.

the Ninth Circuit Court of Appeals begrudgingly gave Marvel a victory on the basis that the Supreme Court has restricted the kinds of contracts that can be made with patent owners.

Real money was at stake here. Since the product's invention in 1990, Kimble has earned $6 million in royalties from an agreement with Marvel that allowed him three percent of net product sales.

Read Full Ruling here.... http://cdn.ca9.uscourts.gov/datastore/opinions/2013/07/16/11-15605.pdf

In 1990, after Kimble patented his idea for a toy that was activated via a trigger attached to a valve in the palm of a glove, the inventor met with the president of one of Marvel's predecessor companies.
Marvel passed on the idea, and after the company began manufacturing a similar Spider-Man role-playing toy, Kimble sued in 1997 for patent infringement and a claim that the company had breached a contract to pay him for use of his idea. The patent claim was dismissed, but a judge ruled there were genuine issues of fact precluding summary judgment on the contract claim, entering a judgment that awarded him 3.5 percent of sales. Both sides appealed.
In 2001, the parties came to a settlement agreement. As part of the deal, Marvel purchased the patent for more than $516,000 and also agreed to give him 3 percent of net product sales. (Kimble later sold an interest in his property to Robert Grabb, a co-appellant.)

Kimble then filed a new lawsuit for breach of contract, and Marvel submitted counterclaims that sought a declaration that it was no longer obligated to pay Kimble based on the sale of products after the expiration of his patent.

That has the Ninth Circuit reviewing Brulotte v. Thys Co., a 1964 Supreme Court decision which forbids patent holders from collecting royalties after the expiration date of the patent. Where it gets tricky is so-called "hybrid agreements" that allow for payments during the patent period and non-patent period. In baseball, this would be equivalent to the Los Angeles Dodgers agreeing to lock up a young superstar beyond his early restricted free agent years.
Courts around the nation have been dubious about royalty payments under hybrid agreements, not wishing to allow patent holders to use their leverage in the early years of a patent's issuance. The Ninth Circuit has been more careful on this topic, reviewing a later 1979 Supreme Court case and holding that there should at least be a discount in the post-expiration period.

On appeal, Kimble argued that the settlement agreement with Marvel distinguishes between patent and non-patent rights and that Brulotte did not apply.
Ninth Circuit Judge Consuelo Callahan writes, "We cannot agree because the agreement plainly involved one royalty rate for both patent and Web Blaster rights, with no discount or other clear indication that the Web Blaster royalties were not subject to patent leverage."

Read More.... http://www.hollywoodreporter.com/thr-esq/appeals-court-frees-marvel-spider-586148


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Tuesday, July 16, 2013

"Disney" is for Fighting Deforestation in Peru

Newsflash from your Hollywood Attorney:




The world needs these dense tropical forests to absorb carbon dioxide and emit oxygen, which is one of many reasons environmental NGO Conservation International (CI) launched a REDD (reducing emissions from deforestation and degradation) project here nearly five years ago.

Last year, the Alto Mayo REDD+ project was validated under the Verified Carbon Standard (VCS) as well as the Climate, Community and Biodiversity Standard (CCB).

Before the project's validation, Disney, in a landmark move, donated $3.5 million to CI's work in Alto Mayo, contributing significantly to what the project has been able to achieve thus far.





The arc of deforestation
The story of the Alto Mayo REDD+ project began around 2008 and involves 419 farmers and their families as much as it does CI and Disney. At the time, Disney was looking to offset the environmental impact of their resorts by preserving a forest or ecosystem and had reached out to CI for suggestions. CI presented them with two nations containing endangered rainforest that needed saving: the Democratic Republic of Congo and Peru. Disney decided to start with Alto Mayo in Peru.

Agree and maintain
As part of the CA, Arcos says, each farmer was offered a technical package containing instructions for planting. The package discouraged using herbicides and included training on how to sow coffee in a way that’s compatible with the growth of native trees. The CA benefited the local people as much as it did the ecosystem. Their unsustainable farming practices had been depleting the soil, which forced farmers to relocate and cut down trees constantly in order to reach healthy soil.

Espinel also pointed out that because the farmers practiced sustainable agriculture, they avoided the devastating disease known as coffee rust that decimated 20 percent of Peru's total coffee production one year, according to the Ministry of Agriculture.

Guevara and other farmers were able to improve production and avoid pests thanks to CI's REDD project. Along with the agricultural training the project provided, CI offered the local populations medical equipment, educational materials and jobs patrolling the forests. In return, the locals promised to participate in reforestation and not cut down the forest anymore.

Carbon truth
While VCS verified the carbon impacts, CCB also measures the project's effects on communities as well as on the local plant and animal life. The standard confirmed the local life had improved with the REDD project and the CAs. This means 420 species of birds and 50 species of mammals, including the yellow-tailed woolly monkey found only in the Peruvian Andes, benefitted.

So far, the project has generated 3 million tons of emissions reductions, the equivalent of taking 500,000 cars off the roads for one year, according to Espinel. Disney's contribution resulted in a 400,000-ton reduction of carbon emissions, helping to shrink the giant companies' ecological footprint.

Disney has agreed, as part of its environmental commitments, to another grant of $3.5 million to CI's work in Alto Mayo. Disney is also considering showing films about Alto Mayo on their cruise ships.

Caring for the green and water
"It supplies water to many communities living in the vicinity," he says.

The Alto Mayo ecosystem supplies the 200,000 people living in this vicinity with clean water that they use in their homes as well as to water their crops. The area is replenished with rainwater that runs over trees and through the grooves of lush hills to fill the entire ecosystem. Cutting down the trees deprives the forest, and perhaps those who live around it, of a full life.

Dispel the mist
Trees also create a home for those 420 bird species and 50 mammal types as well as amphibians, reptiles and insects. As in many of Disney's well-known films, man and animal should care for the Earth responsibly.

As for Guevara, the changes still seem exciting and he is eager to discuss how his way of life and farming techniques have been transformed.

Read More.... http://www.greenbiz.com/news/2013/07/15/why-disney-fighting-deforestation-peru


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Friday, July 5, 2013

Disney Distribution Deals for 10 Specific Characters says to Viacom, "We want Our Characters Back"


When Walt Disney (NYSE: DIS) bought Marvel for $4 billion in cash and stock, the House of Mouse didn't secure all the benefits of owning the superhero portfolio.

Sony (NYSE: SNE) still owned the rights to produce and distribute the Spider-Man and Ghost Rider franchises. Twenty-First Century Fox's (NASDAQ: FOX) forerunner, News Corp., held the rights to the X-Men, the Fantastic Four, and Daredevil. And Marvel did come with the production rights to the rest of its own portfolio, but with distribution deals for 10 specific characters via Viacom's (NASDAQ: VIAB) Paramount Pictures.

That's a side effect of Marvel's complicated financing deal from 2005, which set the stage for the studio to take control of its own destiny. But as I said, Marvel also signed away some important rights in the process, and allowed Sony, Fox, and Paramount to grab a slice of Marvel's financial success.

Disney is busy getting its superheroes back. The company just bought back the distribution rights for back-catalog titles Iron Man, Iron Man 2, Thor, and Captain America: The First Avenger from Paramount. Financial terms are unknown, but the payout is probably smaller than the last superhero buyback.

In 2010, Disney acquired the rights to release The Avengers and Iron Man 3. Fellow Fool Tim Beyers worked his calculator to the melting point to figure out that Paramount would get something like $90 million out of the Avengers arrangement, and something on that level for Iron Man 3 as well. Given that the new repurchase deals with older titles, the total cost in unlikely to crack the $100 million mark.

So it's a drop in the bucket next to Viacom's filmed entertainment revenues, which topped $4.8 billion last year. The rounding error is even smaller next to Disney's $5.8 billion in studio sales. The big takeaway here is that Disney is very interested in taking full control of its superhero assets. I would not be surprised to see the Mouse reaching out to Sony and Fox to regain the last of its prodigal superhuman sons and daughters.

Read More.... http://www.fool.com/investing/general/2013/07/03/disney-wants-its-heroes-back-from-viacom.aspx

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Saturday, June 29, 2013

Walt Disney World Housekeeper Arrested for Stealing from Guests at Art of Animation Resort


Emely Santiago, a housekeeper at Disney's Art of Animation Resort, is accused of stealing from guests.
A Walt Disney World hotel housekeeper is facing charges, accused of stealing from guests.

Orange County deputies said Emely Santiago stole a credit card and cash from a guest at Disney’s Art of Animation Resort.

They said the thefts happened in May and Santiago was caught when she tried to use the card at Walmart, located on U.S. 192 and Bass Road in Kissimmee.

Deputies said Santiago could be connected to other thefts at the resort, in which cash, medication, and jewelry were stolen from hotel rooms.

Santiago admitted to investigators that she had an addiction to pain medication following a domestic altercation in October 2012.

She has since bonded out of the Orange County Jail.

Source.... http://www.baynews9.com/content/news/baynews9/on-the-town/article.html/content/news/articles/cfn/2013/6/24/disney_world_houseke.html

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'Star Wars 7' - Should Stars Be Pressured to "Lose Weight" - Your Thoughts?


Star Wars actors Mark Hamill and Carrie Fisher have reportedly been told to lose weight for the upcoming seventh film of the series.

Producers are said to be hoping for the actors to closely resemble older versions of their characters Luke Skywalker and Princess Leia, according to The Sun.

 
                     Mark Hamill... 1977 and 2013

Hamill, 61, and Fisher, 56, will apparently be given their own nutritionist and personal trainer before filming starts at the end of 2013.

"Mark and Carrie need to be as close to their appearance in the earlier movies as possible," a source claimed. "Producers are keen to help out and have offered support.

"The budget is huge, so there will be no expense spared."


                                                      Carrie Fisher... 1977 and 2013

Harrison Ford - who will reprise his role of Han Solo in Star Wars Episode VII - will reportedly not require the same treatment, as producers are said to be happy with his current physique.

JJ Abrams will direct the upcoming seventh installment of the sci-fi franchise, after George Lucas sold the rights to Disney last year.

Fisher recently said of Star Wars being bought by Disney and the planned new movie trilogy: "I'm glad they are doing a new movie because they are sending a trainer to my house so I can get in really good shape.


                                                     Other Star Wars 7 Stars:





                                  "Standard Forced Should Not Be", as Yoda Would Say!


Movie We Can Not Wait!

Read More...  http://www.digitalspy.com/movies/news/a493251/star-wars-7-actors-mark-hamill-carrie-fisher-told-to-lose-weight.html#ixzz2Xc9VZzsZ

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Tuesday, June 25, 2013

Sexually Assaulting of a Girl, a "Disney" Worker is Charged Police Ask for Help


A Corona man who maintained rides at Disneyland has been charged with sexually assaulting an 11-year-old girl, and authorities are seeking the public’s help to identify additional victims.

Bryan William Anast, 45, was arraigned Monday in Orange County Superior Court and is being held on $1-million bail. He is charged with five felony counts of aggravated sexual assault of a child and possession of child pornography.

If convicted, he faces 63 years to life in prison.

In May, the girl told Orange County sheriff’s officials that Anast had assaulted her on four occasions between 1997 and 2000. One assault allegedly occurred at Yosemite National Park.

Investigators who searched Anast’s home found videos of child pornography on a computer storage device.

Anast was arrested last week at Disneyland, where he worked as a machinist.

The Orange County district attorney’s office is asking anyone with information about other potential victims to contact investigator Paul Carvo at (714) 347-8794.

http://www.latimes.com/local/lanow/la-me-ln-disney-worker-20130624,0,4403649.story


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Monday, June 24, 2013

2 Disney Skaters Fired after Australian Show and Party


Two Russian ice skaters from the Disney On Ice troupe have been expelled from the company after an incident in Newcastle in the early hours of this morning.

Police were called to the Newcastle, Australia Travelodge after reports of a loud party in one of the rooms. Two men were initially asked by hotel staff to reduce their noise and when this failed they were asked to leave the hotel.

The two skaters allegedly pushed hotel staff when they tried to evict them. When police arrived the two men again refused to leave and then allegedly assaulted the officers.

The men were arrested and taken to Newcastle police station. Disney On Ice management attended the station and spoke with police. Internal action has been taken by the company with the two skaters no longer part of the troupe.

The company heads to Queensland today after several days of performances in Newcastle.

Source... http://www.abc.net.au/news/2013-06-24/disney-skaters-dumped-after-newcastle-party/4775134

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Thursday, June 20, 2013

Marvel's Ghost Rider Reinstated - Lawsuit


 A lawsuit against comic book publisher Marvel Entertainment by a man who claims he owns the rights to the Ghost Rider character was reinstated on Tuesday, June 11, 2013. The 2nd U.S. Circuit Court of Appeals reversed a 2011 lower-court decision that dismissed the lawsuit brought by Gary Friedrich, who had sued in 2007, claiming he was owed a cut of the box office proceeds from a film version starring Nicolas Cage.

A lawsuit against comic book publisher Marvel Entertainment by a man who claims he owns the rights to the Ghost Rider character was reinstated on Tuesday.

The 2nd U.S. Circuit Court of Appeals reversed a 2011 lower-court decision that dismissed the lawsuit brought by Gary Friedrich, who had sued in 2007, claiming he was owed a cut of the box office proceeds from a film version starring Nicolas Cage.

The comic features a motorcycle-riding character with a flaming skull named Johnny Blaze, who agreed to let the devil have his soul in return for his adoptive father being cured of cancer. The cover of its 1972 debut says it was conceived and written by Friedrich.

The lower court found that Friedrich relinquished his rights in a 1979 agreement with Marvel. But the appeals court on Tuesday found that the contract language was open to dispute.

"There are genuine disputes of material fact regarding the parties' intent to assign renewal rights in that agreement, the timeliness of Friedrich's ownership claim, and the authorship of the work," the court said in sending the case back for trial.

An email sent Tuesday to a representative for Marvel Entertainment LLC seeking comment did not immediately get a response.

Read More...  http://www.bellinghamherald.com/2013/06/11/3047833/ny-ghost-rider-lawsuit-reinstated.html#storylink=cpy

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Tuesday, June 11, 2013

Legal Victory Overturned Against "Ghost Rider" by "Marvel"


The 2nd Circuit remands for trial the issue of who holds rights to the popular comic book character.

Comic book author Gary Friedrich has kept alive his long-running case against Marvel over rights to Ghost Rider.

Friedrich introduced Ghost Rider's origin story in 1972′s Marvel Spotlight #5, and mostly disappeared from the comic world in the late 1970s due to reported bouts of alcoholism. But a decade ago, he heard about a planned movie version of Ghost Rider -- a motorcycle-riding superhero with supernatural powers and a flaming skull for a head -- and asserted that he still controlled rights to what has been over the years one of Marvel's most successful comic book franchises.

In late 2011, after a movie starring Nicolas Cage had come out, a federal judge ruled that Friedrich had handed over rights to Marvel in contracts as a freelancer working for the studio in the 1970s.

On Tuesday, the Second Circuit Court of Appeals vacated that ruling, saying that the judge had erred in granting summary judgment and that the contracts that Friedrich signed were "ambiguous" and needed further investigation at trial. Here's the full ruling.

Like many contributors to Marvel's stable, Friedrich worked under the so-called "Marvel Method" of creation, and in this dispute, Marvel asserted that the Ghost Rider characters and story were created through a collaborative process with Marvel personnel and resources.

At primary issue in this case is who controls the renewal term of the Ghost Rider copyright. Copyright law confers multiple terms -- an initial term of 28 years and a renewal term of 67 years. When Congress enacted changes to copyright law in the mid-'70s, the purpose of the renewal term was to "provide authors a second opportunity to obtain remuneration for their works" and "to renegotiate the terms of the grant once the value of the work has been tested."

After learning that copyright law allowed a renewal of the term to vest with the original author, Friedrich filed for, and received, a renewal and copyright registration for his work in Spotlight #5, and then sued Marvel and their licensees for copyright infringement and other claims.

At the District Court level, a judge ruled that Friedrich's 1978 agreement with Marvel where he agreed to grant "to Marvel forever all rights of any kind and nature in and to the Work" precluded Friedrich's claims over ownership, as he had given up the renewal term.

But 2nd Circuit appellate judge Denny Chin says not so fast, saying that the 1978 contract "is ambiguous on its face," pointing to a sentence that defined the work as "ungrammatical and awkwardly phrased" and unclear "whether it covered a work published six years earlier" and "whether it conveys renewal rights."

"The contract contains no explicit reference to renewal rights and most of the language merely tracks the 1976 Act's definition of 'work made for hire,'" writes Judge Chin. "The Agreement could reasonably be construed as a form work-for-hire contract having nothing to do with renewal rights."

As the judge notes, there is a strong presumption against the conveyance of renewal rights, and in this decision, Judge Chin goes out of his way to give Friedrich the benefit of the doubt. At the time of the 1978 deal, the appeals judge says:

                           "Spotlight 5 had been published six years earlier by a different corporate entity (Magazine Mgmt.) and had grown so popular that Marvel had already reprinted it once and had launched a separate Ghost Rider comic book series. Given that context, it is doubtful the parties intended to convey rights in the valuable Ghost Rider copyright without explicitly referencing it. It is more likely that the Agreement only covered ongoing or future work. Hence, there is a genuine dispute regarding the parties' intent for this form contract to cover Ghost Rider."

The judge adds that when Friedrich made his deal with Marvel in 1978, he could have entered into an "employee for hire" relationship, but not necessarily one that rendered Ghost Rider as a "work made for hire" ex post facto.

Marvel also argued that Friedrich's claims were barred by the statute of limitations because it had repudiated his ownership claims long before the comic book writer had brought his lawsuit. Marvel also pointed to widely circulated news reports about a movie that allegedly implicitly repudiated Friedrich's ownership claims. The Second Circuit says it is too soon to give Marvel these points, but the statute of limitations does appear to be an issue that will be addressed now that the dispute has been remanded back down to the trial court for more consideration.

In today's ruling, the appeals court also has to consider whether the trial judge erred by denying Friedrich's own motion for summary judgment that he is the unquestionable author of Ghost Rider.

Hinting at where this case is going next, Judge Chin writes, "When construed in Marvel's favor, the record reveals that Friedrich had nothing more than an uncopyrightable idea for a motorcycle-riding character when he presented it to Marvel because he had not yet fixed the idea into a tangible medium."

The judge adds that a jury could reasonably conclude that artists and others at Marvel at the time developed Ghost Rider through collaborative efforts, which would indeed make it a "work made for hire" and Marvel, the sole statutory author.

But that will be decided at trial, assuming there's no settlement or some unexpected twist.

Read More.... http://www.hollywoodreporter.com/thr-esq/marvels-ghost-rider-legal-victory-566170


Monday, June 3, 2013

Disney Peace Offering to American Indian College Fund


Johnny Depp’s controversial portrayal of Tonto in the upcoming Disney film “The Lone Ranger,” has prompted Disney to offer a peacepipe to Indian groups upset by the movie. Apparently nothing soothes the savage soul quite like money.

Walt Disney Studios Chairman Alan Horn said proceeds from ticket sales to the film’s world premiere will be donated to the
American Indian College Fund.

“The Lone Ranger” premiere will take place, June 22, at Disney California Adventure Park in Anaheim, Calif. The park has its own version of Hollywood Boulevard, no doubt without the junkies and homeless people that populate the real Hollywood Blvd.

Disney is promising the film’s stars, filmmakers and scads of Hollywood celebrities, in addition to the Lone Ranger’s horse Silver, will attend. An old-time train engine built for the film will also be displayed. Tickets are priced at $1,000.


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“We’ve had a terrific collaboration with the Native American community throughout the production of Disney’s ‘The Lone Ranger,’” said Horn in a statement.

Well, not exactly.

Tonto is supposed to be a Comanche Indian, but Depp’s use of ghastly white facepaint and a dead crow headress is not even close to authentic Comanche dress during the Old West era, according to Rod Pocowatchit, a Comanche Indian writing in the Wichita Eagle newspaper.

“[It] seems to imply ridiculousness for the sake of comedy,” he writes.

For the record, Depp said he drew his inspiration from a contemporary Indian painting by Kirby Stattler. But the portrait is illustrative and does not represent a real person or tribe.

Ladonna Harris, a Comanche and president of Americans for Indian Opportunity, official adopted Depp into the tribe, a move that also drew some protests. Other Native Americans believe the role should have gone to a Native American actor.

Before Depp, the best known actor to play Tonto was Jay Silverheels, a Canadian Mohawk Indian. Silverheels, who died in 1980, played the character in the long-running television series in the early 1950s and two Lone Ranger movies.

The Jerry Bruckheimer film, directed by Oscar winner Gore Verbinski, re-imagines the original tale. Armie Hammer joins Depp as the masked man, but unlike previous incarnations, the tale is told mostly through Tonto’s eyes.

Tickets for the premiere event have been donated to the College Fund, which is selling them to the public through their website

Disney is underwriting the entire cost of the premiere, so 100 percent of the proceeds from ticket sales will go to the fund. Time Warner Cable will stream the premiere live.

“The Lone Ranger” also stars Tom Wilkinson, William Fichtner, Barry Pepper, James Badge Dale, Ruth Wilson and Helena Bonham Carter. It opens in theaters July 3.

Source.... http://www.theimproper.com/80659/johnny-depp-tonto-protest-yields-disney-peace-offering/#.UaqMtUBwroI